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How to Think Like a Fool in 60 Ways

Here's the complete list of blog posts with links: How to Think Like a Fool: RIPPO the Fool—5 Types of Fool Think RISK #1: Look for Trou...

Wednesday, January 30, 2008

30 Ways to Think Foolishly

Here's a list I used for a workshop I taught at QuestFest two weeks ago. I'm still developing these concepts, subtracting some and adding more. I'll explain each one in more detail over the coming months, but feel free to guess what each one means and then try to apply some to a problem or creation.
  1. Get Caught-up in the Moment
  2. Make Problems
  3. Imagine the Worst
  4. Repeat the Same Tactic
  5. Use More Effort Than Necessary
  6. Persevere
  7. Prepare for Something Else
  8. Don’t Solve the Problem
  9. Add More Obstacles
  10. Treat Objects as Alive
  11. Treat People as Objects
  12. Imagine the Impossible
  13. Try the Impossible
  14. Compromise the Impossible
  15. Make Yourself Laugh
  16. Overreact
  17. Under-react
  18. Act Improperly
  19. Do What You're Not Supposed To Do
  20. Act Crazy
  21. Change Identity
  22. Do the Opposite
  23. Misinterpret/ Misunderstand
  24. Do the Impossible
  25. Follow the Rules
  26. Do things Backwards
  27. Use What's Available
  28. Take things literally
  29. Transform Objects
  30. Expand Space
Foolish Question: How can you use one of these to think foolishly about something you're working on?

Sunday, January 6, 2008

Don't Solve the Problem

This morning, I was working on the beginning of my show, where I enter through the curtain opening and get my thumb and then hand tangled in the curtain. I am trying to get on stage so that I can put signs on an easel and start the show.

In past performances, I tried different tactics to get untangled until I have found one that works. Then I went to the easel and put the signs on, causing the poorly assembled easel to collapse.

Watching other performers in the past few months, I noticed they sometimes share this same pattern: do something, discover problem, solve problem, do something, discover new problem, solve problem, and so on. This rhythm can work fine, but there can also be a repetitive nature that lacks a build-up of dramatic tension.

What if the earlier problem or problems did not get solved? What if you still tried to reach your goal with the first problem still hanging around your neck?

In rehearsal this morning, I tried to get untangled, and when that just made things worse, I gave up on solving that problem, went as far as I could downstage with my right hand still caught in the curtain, and reached as far as I could with my left arm to put the signs on the easel, which of course collapsed. I used my feet to pick up the easel, put the signs between my legs so I could reassemble the easel with my left hand, and I noticed that my right hand had gotten free while I was preoccupied with the easel.

For me, this was much more interesting than the previous version. It was also more fun and challenging. Next time I'll see if I need both hands to get the easel back together and if my hand can stay stuck even longer.

Foolish Question for your physical comedy routine or even for a problem in your life that needs solving: Do you really have to solve this problem to reach your goal? How can you move forward with this handicap?